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White Dog
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White Dog : ウィキペディア英語版
White Dog

''White Dog'' is a 1982 American drama film directed by Samuel Fuller using a screenplay written by Fuller and Curtis Hanson loosely based on Romain Gary's 1970 novel of the same title. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to viciously attack any black person. Fuller uses the film as a platform to deliver an anti-racist message as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed in the United States by Paramount Pictures out of concern of negative press after rumors began circulating that the film was racist. It was released internationally in France and the United Kingdom in 1982, and broadcast on various American cable television channels. Its first official American release came in December 2008 when The Criterion Collection released the original uncut film to DVD.
Critics praised the film's hard line look at racism and Fuller's use of melodrama and metaphors to present his argument, and its somewhat disheartening ending that leaves the impression that while racism is learned, it cannot be cured. Reviewers consistently questioned the film's lack of wide release in the United States when it was completed and applauded its belated release by Criterion.
==Plot==
Young actress Julie Sawyer (Kristy McNichol) accidentally runs over a stray White German Shepherd Dog one night. After the dog is treated by a vet, Julie takes him home while trying to find his owners. A rapist breaks into her house and tries to attack her, but the dog protects her so she decides to adopt him, against the wishes of her boyfriend (Jameson Parker). Unbeknown to her, the dog was trained by a white racist to attack any and all black people on sight. It sneaks out of the house one night and kills a black truck driver in an attack. Later, when Julie takes the dog to work with her, it attacks a black actress on the set.
Realizing something is not right with the dog, Julie takes him to a dog trainer, Carruthers (Burl Ives), who tells her to kill the dog. Another dog trainer named Keys (Paul Winfield), who is black himself, undertakes re-educating the dog as a personal challenge. He dons protective gear and keeps the dog in a large enclosure, taking him out on a chain and exposing himself to the dog each day and making sure he is the only one to feed or care for the dog.
The dog manages to escape, and kills an elderly black man in a church, after which Keys manages to recover him, and opts not to turn the dog in to the authorities, but to continue the training, over Julie's protests. He warns her that the training has reached a critical point, where the dog might be cured or go insane. He believes that curing the dog will discourage white racists from training dogs like this, though there is no indication in the story that this is any kind of national problem (the film is set well after the civil rights era, the setting of the original novel).
After a lengthy time, it seems as if the dog is cured, in that he is now friendly towards Keys. Julie confronts the dog's original owner, who has come to claim him, and who presumably trained him to attack black people. She angrily tells him in front of his grandchildren, who only know the dog as a loving family pet, that the dog has been cured by a black man.
Just as Julie and Keys celebrate their victory, the dog, without warning, turns its attention to Carruthers and brutally attacks him. The dog had not previously shown any aggression towards him — no explanation for this is given, but the implication is that the dog's programming has somehow been reversed, though that was never Keys' intention. To save his employer's life, Keys is forced to shoot the dog, and the film ends with the image of the dog's body lying in the center of the training enclosure.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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